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Original Hindi verse. 50+ songs released, and each one arrives as a finished recording rather than a page — so you can hear the song before deciding anything.
Every line below links to a song that exists and you can listen to now.
| Situation | Song |
|---|---|
| Two people finally admit it | Tum Meri Ho |
| First sight, across a crowded room | Dil Bavariya |
| The good stretch, before it turns | Agar Tum Ho Toh |
| A vow, spoken quietly | Ye Wada Hai Mera |
| Infatuation, losing the thread | Ishq Ka Nasha |
| The empty room afterwards | Bechainiyan |
| Betrayal — the scene after the truth | Gam Teri Bewafai Ka |
| Longing that never resolves | Ye Bekhudi Teri |
| Her answer, in a woman's voice | To Kya Hai Gam Mere Humdum |
| The flag, the crowd, the throat catching | Mere Vatan |
| Living between two countries | Two Homes One Heart |
| A father, seen properly at last | Mere Papa Mere Hero |
| A mother | Meri Maa |
| A daughter, and the leaving | Meri Bitiya |
| Brother and sister, the thread | Pyar Ki Rakhi |
| Friends who became family | Ae Dost Mere Yara |
| Holi — colour, dhol, the whole street | Holi Re |
| Diwali, the family gathered | Happy Diwali |
| New year, the room goes up | Happy Happy New Year |
| A dance floor at full tilt | Lagi Padi Hai |
| Ghazal — restraint, one candle | Ae Mehboob |
| Nazm — the reflective turn | Nazm-e-Zindagi |
| Love as worship | Tu Rab Hai Mera |
| The road, and the leaving of home | Musafira |
| A life taking stock | Zindagi Ka Safar |
Written by me, by hand. Many were published as poems in a printed collection before they became songs, which means the writing is dated and traceable. The lyrics are original and unencumbered — no samples, no adaptations, no third-party claims.
The recordings use AI-assisted vocals and instrumentation under my direction. The writing does not. The full statement is here.
Terms, rights and everything else by discussion.
Abhi Shayrana Hai Dil